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 In 1983, he provided vocals on Suns of Arqa's second LP Wadada Magic, and many of these vocals have been reused by the band repeatedly on a variety of tracks and remixes, ranging from their first album in 1980 to (so far) 2006. He is credited for vocals on the sleeve of each of the releases in question. Later that year he recorded the album Umkhonto We Sizwe with producer Roy Cousins in Kingston. Before the album was finished he was shot at his home in Kingston, Jamaica, during a robbery, allegedly relating to a dispute over money, and died later in hospital. Andrian Sherwood, deeply upset by the murder of his friend, took a production hiatus from his beloved reggae genre and recorded 1983 with his group Circut and Neneh Cherry "Dead Come Alive". Prince Far I is also referred to by The Clash in their single "Clash City Rockers" and also by The Mountain Goats in the song "Sept. 15th 1983", a reference to the date of his death.

Dr. John was the inspiration for Jim Henson's Muppet character, Dr. Teeth

The 19 October 2009 CD reissue, subtitled the Omnibus Edition, included a remastered version of the original album as disc 1, a second disc of B-sides and alternate versions called Singles and Out-Takes, as well as a live CD called This Is for When..., recorded at Hammersmith Palais in London on 9 November 1981. On September 10th, Bauhaus announced a show at the Hollywood Palladium with all original members on November 3, 2019.[42] A second show was added for the following night, November 4, after the first show sold out in under 3 minutes.

Doctors protested that many children were actually putting beans in their ears so it was banned in some places such as Pittsburgh and Boston.[1][2] Numerous public health boards reportedly blacklisted the song, as well, according to Chandler.[3] "Some television shows asked us to do something different," said Bryan Sennett of the Serendipity Singers. "Understandably so--it was dangerous. Obviously, (the song) was a statement about adults not listening to children."[4] Pittsburgh radio station KDKA's program manager Jack Williams imposed the ban due to the number of listener complaints and doctor reports about children putting objects in their ears in the three weeks following the song's release on the station.[5]

The Wild Trapeze is the debut solo album by Incubus frontman, Brandon Boyd. The album was released as a limited edition release on disc and through iTunes on July 6, 2010.[1] Boyd has described the album's sound as "a guy in room surrounded by toys who has an undying enthusiasm for finding out what each toy does, and has been given full license to make as much noise as he pleases.

 The band was named after a supervisor at a Thriftway in Montesano, Washington, where Osborne also worked as a clerk; "Melvin" was disliked by other employees, and the band's members felt it to be an appropriately ridiculous name

It was introduced by Gracie Allen in the 1937 film A Damsel in Distress. The song is the occasion for an elaborate dance routine performed inside a funhouse by Fred Astaire, George Burns, and Miss Allen, and makes full use of all the trappings of the house, including the funhouse mirror. The number won an Academy Award for Best Dance Direction.

Released three weeks after the September 11 attacks, the album suffered from lack of promotion, mixed reaction from critics and fans alike, and the failure of its lead single "Androgyny" to achieve high chart positions.[62] Despite faltering in major markets, Beautiful Garbage debuted at No. 1 on Billboard's Top Electronic Albums chart where it stayed for 8 weeks,[63] topped the album charts in Australia, and was named one of Rolling Stone's "Top 10 Albums of the Year".

Though the members of OK Go eventually left for Los Angeles and New York, they consider themselves a Chicago band. In a 2011 interview, Kulash described the band's formative years: “As far as the band is concerned, we only have one home town. We all live in L.A. now but there’s only one period of your life as a band where you’re playing the same clubs every week or every month, and you know everybody in every other band; and it’s all your friends, all the people that work at the clubs, and it’s such a community. Chicago had such a close-knit and intense community five years ago when we were here. 

This song is about a time when original blink-182 guitarist Tom DeLonge got kicked out of Poway High School during his junior year after being caught drunk at a school basketball game. DeLonge said, "Being kicked out of school was bad, but it was also the best thing in my life. Because none of us would be here today." DeLonge also said that "Blink-182 is one million percent around today because I got kicked out of school."

While creating Watercolors, a big inspiration for Mondanile was jazz guitarist, Pat Metheny.  Due to sexual misconduct allegations, no American media publications have reviewed the album, however, Section-26, a French music reviewing website, gave an overwhelmingly positive review of the album, ending it with, "a poor guy wrote a great album".[3] Fan and Social media reception has been positive as well, with many saying it's Ducktails best album, and some fans dubbing it a 'masterpiece'

Burbank, also known as Luke Gittins & Ashley Smith are a Wiltshire based duo formed in the Spring of 2015 and whilst performing at one of their very first open mic nights were spotted by Marland Music Management who signed them without a moments hesitation. Since that time they have gone on to perform well in excess of 250 gigs across the UK including many in Wiltshire, Bath, Reading, Norwich and London. Burbank are keen songwriters and are excited to be releasing new music soon.        

In June 2019, the band released the full length album "Kings and Queens / Knaves and Thieves" on Korda Records

McCulloch was initially dismissive of the song, saying in 1992, "It was an OK song, I suppose, but it didn't sound like us ... We just got sucked into a new mentality on that last album, the sound of Radio America."[1] He softened his attitude toward the song in a 2005 interview, saying "It may have a few synthetic twinkles on it, but the song itself was strong enough to shine through."

The first single from the album was the dance track "I Can See Clearly", which reached No. 23 in the UK. The second single, ballad "Strike Me Pink", had a controversial promotional video that was banned[citation needed] for being too disturbing – it featured a man in a glass tank filled with water, as Harry sits and watches him drown.

Rolling Stone credited the band with bringing "the pop traditions of 1960s pop bands—groups like the Zombies, and the Beach Boys—to a new generation of music fans

Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz (rather than McKernan's tendencies toward the blues and soul music) contributed to the band's musical evolution.

Rolling Stone opined that the album "has all the power and energy of the first LP, but is more subtle, more intricate and much more effective" and argued that the "whole album, individual songs and especially the final track are constructed in the five parts of tragedy. Like Greek drama, you know when the music's over because there is catharsis."

Apart from the forceful rockers "What Goes On" and "Beginning to See the Light", the album contains reflective, melodic songs that are about various forms of love,[7] such as "Pale Blue Eyes", "Some Kinda Love", "Jesus", "I'm Set Free" and "That's the Story of My Life". Reed and Morrison's twin-guitar playing became the band's most prominent sound,

With the aid of producer Elvis Costello, they recorded the follow-up, Rum Sodomy & the Lash, in 1985 during which time guitarist Philip Chevron joined. "A Pair of Brown Eyes" is a single by The Pogues, released on 18 March 1985.[1] The single was their first to make the UK Top 100, peaking at Number 72.[2] It featured on the band's second album, Rum Sodomy & the Lash, and was composed by Pogues front man Shane MacGowan. Its melody is loosely based on that of “Wild Mountain Thyme" (also known as "Will Ye Go Lassie Go"), a song by Francis McPeake in a traditional Irish folk style.

Carnavas is the debut studio album by alternative band Silversun Pickups. It was released on July 25, 2006. The title is an homage to lead guitarist and vocalist Brian Aubert's Greek heritage

 Carlson was born in Skælskør, Denmark. She spent several years in Africa as a child before returning to her native country. Before singing Carlson worked as a model and studied music.[1] Carlson played in a duo[4] before she met the producer Larry Pignagnoli and took on the name "Whigfield" as a tribute to her school music teacherIt was released in March 1996 as the seventh single from her first album, Whigfield. It became Whigfield's second top-10 hit in Austria and was her first in Australia, becoming the 19th highest-selling single in Australia for 1997

Left My Blues in San Francisco is the debut studio album by American blues artist Buddy Guy. Future Rotary Connection producer and keyboardist Charles Stepney provided orchestration and drums on some tracks. The album is a mix of older Blues tunes and four Buddy Guy originals.

"Not a Dry Eye in the House" is a song composed and written by Diane Warren, and recorded by Meat Loaf. The song was released in 1995 as the second single from the album Welcome to the Neighborhood. It peaked at number seven in the UK, becoming Meat Loaf's last top 10 hit there until "It's All Coming Back to Me Now" in 2006

The song was written and produced by Eilish's older brother, Finneas O'Connell and it was originally written by Finneas for his band.[3] The Astronomyy remix of the song peaked at number 25 on Billboard's Spotify Velocity chart.[4]

Ain't It Funky is the 27th studio album by American musician James Brown. The album was recorded between 1966 and 1969 and originally released in January 1970.[1] Tracks 3 to 7 are instrumentals recorded between 1966 and 1969.

Tommy Dorsey's longtime pianist and arranger Lou Carter created the character of Louie the Singing Cab Driver for crooner Perry Como's eponymous television show, and Louie's Love Songs is a strangely affecting collection of sweet-natured novelty numbers with a palpable ache for days gone by.