KCSB-FM 91.9

Martín Matilla: producción y arreglos, Ukelele, samples, percusión y programaciones. Luis Umberto: winds Ana Zoch: words and vocals. MARTIN MATILLA es un músico electrónico argentino, de influencia independiente, que suele operar bajo los seudónimos de Martin Dip y Vachantu. Ha avanzado sobre su particular estilo a partir de la deconstrucción de elementos naturales y la programación digital. Desarrolla proyectos de fondo experimental donde juega con la combinación de paisajes sonoros. Su música difícilmente podría encasillarse dentro de un estilo particular aunque, por su modalidad de trabajo (en toda su obra está presente la fusión de elementos propios del folclore tradicional), en algunas ocasiones valdría categorizarla como folctrónica. https://vachantu.wixsite.com/martin/bio https://anabellazoch.com

DIRECTION AND COMPOSITION Diego Martínez Guillén and Javier López López. MUSICIANS Alma Cano, Cristina Cano, Melisa Cano, Lucero Casillas, Vanessa Casillas, Eric Delgadillo, Cihualpilli López, Xóchitl López y Alan Torres. SOFTWARE Max for Live Cycling 74 & Ableton, Transverb Destroy FX, Komplete Native Instruments, and MixBus. HARDWARE Electronic: NTG4+ RODE, KSM 27 / Beta 52-56 Shure, 1202 VLZ Pro Mackie, Moog Mother-32, Ms-2000 / KP3 Korg, H2n / H4n Zoom, Apple MacBook Pro, Focusrite Saffire PRO 14, Akai APC40, and UC33e Evolution. Acoustic: Arp, snails, mud jugs, chirimía, comales, clay flutes, guitarrón of Górgoro, snare drums, rattles, bass drum (tambora), tejófono, vihuela, violin and Mexican pre-hispanic percussions (armadillo, turtle, huéhuetl, stones, and teponaztli). An Acousmatic ensemble with pre-hispanic instruments, old Mexican mariachi and avant-garde electronic, stories of Los Altos de Jalisco with contemporary resonance.

Composed and Produced by Lutendo Raduvha in Pretoria and Rustenburg, South Africa in 2019 and 2020 Mastering by Jessica Thompson. Big shout out to Silvadropz & Diego Don for making this album a success. Not forgetting my boys Stylo MusiQ from Bela-Bela in Limpopo. 21-year-old Lutendo Raduvha has spent the bulk of his life moving between different townships on the outskirts of Johannesburg and Pretoria in the Gauteng province. He makes Amapiano music that reflects those influences.

All music written, performed and mastered by Sarah Badr. ༺ ༺ time casts her shadow as life slowly unravels. ‎‎‎‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎‏‏‎ ‎༻ ༻

The art of improvisation in Isfahan Bayat Concert and singing: Mohammad Reza Lotfi Tonbak and Daf: Hooman Pourmehdi Recorded in Minneapolis, Minnesota, USA. 11 May 1991.

Sylvie Courvoisier: piano Mary Halvorson: guitar This debut recording between two of New York’s most idiosyncratic and distinctive improvisers reveals just what careful listeners pianist Sylvie Courvoisier and guitarist Mary Halvorson really are. Each musician contributed pieces to the album, which is deeply chamber-like in its deft, interactive intimacy. But the real action is where they take those written themes. - Peter Margasak 

Performed and recorded by: Margarita Ardila. https://mandarinavozenoff.weebly.com Recopilado por Dante Izaguirre Córdova Producido y editado por Chipmusik Records (Lima,Perú) Realizado en colaboración con Bifronte Records (Morelia-México)

recorded in "rua augusta 1138" by bella and Thomas Rohrer produced, edited and mixed by bella https://www.bel-la.com/bio

Jay Nair - Voice, Percussion Ross Hammond - Steel Guitar, Resonator Guitar recorded inside the historic St. Paul’s Methodist Church in Sacramento, CA by engineer John Bologni. I’ve always felt that there was something truly special about making music with Jay Nair. Our coming from different traditions serves us in a way that doesn’t meet in the middle, but instead allows us to push into new territory and create something totally our own. Part sacred. Part spiritual. Heavily improvisational, and with the intent of new creations. - Ross Hammond

Mouskoura Boujimrha - Vocals Hadiza Memeune - Vocals Mahnia Agal - Vocals Algoumat Ingatan - Vocals Bilal Oumberak - Guitar Mahmoud Ingatan - Guitar Zakari Yahaya - Percussion Kader "Barmo" Balla - Group leader Recorded on Tecno, December 14th, 2020 Agadez, Niger The group Oyiwane was formed in 1985, made up of students from the primary school of Toudou in Agadez, Niger. After participating in some national events, the group became known throughout Niger. Mixing traditional percussion, Tuareg guitar, and folk songs, Oyiwane addresses the populations of their region, tackling development, education, and modern nomadic life.

Jesse Lewis - Guitar Ike Sturm - Bass Guitarist Jesse Lewis and bassist Ike Sturm offer songs and improvisations — recorded live in the desert wilderness of Southern Utah All album proceeds to benefit the Natural Resources Defense Council.

In 2019, Copenhagen based sound artist and composer Sofie Birch embarked on a trip to Colombia, it was here where she began collecting a wide array of field recordings, from bird song to Colombian instruments and jungle ambiance. During her time in Colombia, Sofie continuously gathered a series of soundscapes and, with the aid of some pre-recorded synths and pads, merged these sonic recollections into one long form piece. The result, ‘Hidden Terraces’, comes in form of an audible postcard split into two movements, ‘Morgenånder’ (Morning Spirits) and ‘Vidsyn’ (Broad Views), each of which reveal Sofie sonically painting a diary of her journey, while encapsulating her moods and thoughts from her time spent in the South American Jungle.

"The IPCC AR5 defines a tipping point as an irreversible change in the climate system. It states that the precise levels of climate change sufficient to trigger a tipping point remain uncertain, but that the risk associated with crossing multiple tipping points increases with rising temperature. In the context of climate change, an "adaptation tipping point" has been defined as "the threshold value or specific boundary condition where ecological, technical, economic, spatial or socially acceptable limits are exceeded. Tipping point behaviour in the climate can also be described in mathematical terms. Tipping points are then seen as any type of bifurcation with hysteresis. Hysteresis is the dependence of the state of a system on its history.