“Nation Time” with Joe McPhee, African Sanctus, film & sound editing from The French Connection, and Jamaican Horns Up!

Taking a breather from the ghostly Covid and textured protests. I’ll be playing crystal clear tracks from a variety of new pictures with a creative blend of acoustics and electronics. Today’s show includes crime dramas, synth fusions, and documentaries on civil rights, a scientific experiment in self-quarantine, and art & crime.

Music & Poetry, works from prison, Audio Theater Rewinds Langston Hughes.

Music by Ennio Morricone and lo-budget independent films for documentary soundtracks, short films and animation played by bands put together by the genre-busting mind of John Zorn.

Jazz, soul, funk, and hip hop reserve seats at the movies.

Period settings in sci-fi, cosmic New York street music, ambient personality smears, and exquisite guitar work.

Soundtrax are the invisible characters in a movie, and can also double as the ambience or atmospheres.

Neo-tango, down tempo, the boundaries of hip hop, beat fantasias, and quirk jazz.

Long-form musical narratives that create a “Cinema For The Ears.”

Surreal dada German pop music, some private press mystical hymns of devotion by a couple of Catholic nuns, we got some compilations from Finland and China, and who knows what else.

Music for films from the African Sahara, Thailand, Brazil, the Philippines, Romania, Iceland and India, and some Soul Ecstacy.

Synchronization of movie windows and working in the virtual environment.

Jazz & Hip Hop

Birthing new pop and multi-culture music of the 60’s and 70’s. Comedy romps with Elvis, Sonny & Cher and Jack Lemmon.

This week in the Lucky Bucket, DJ Scili stretches the POP & ROCK bandwidth.

Suzanne Ciani's Eco-Opera, Bruno Coulais's Coraline and more French animation trax, Edu-Demo hilarity montage, and tasty odd's 'n ends.

Eccentric voices and instrumentals wondering outside and back. Forgotten and haunted.

Feral Forces, Kind Happenings and Frolicking Taxidermy

DJ Scili blazes through a variety of jazz, post-jazz, and hip hop in the Covideo Reality Era.

Film sound’s absorbent walls