Light, shade, color, and nonverbal behavior.

The Afro-Futurist music of Sun Ra, music from the film Ganja & Hess, Duke Ellington trax, Herbie Hancock’s Death Wish, some Porgy & Bess, and a special feature reviving the folk tradition of Langston Hughes.

Jazz, soul, funk, and hip hop reserve seats at the movies.

Unwinding shapes, queezy themes, evolving patterns, odd instrumental techniques, and a harmonica.

Movies based on literature, immersive found sounds, and wonderful new soundtrack labels.

Subjects of WWI, Dracula, extra terrestrials, detective, coming-of-age period drama & fantasy, Iceland County adversaries, kindness triumphs over cyniscism, and a love song.

Animation is completed by Music.

Dinosaurs and homo sapiens, conflicting creations and out of ancient Africa.

Songs from movie soundtrax.

Pathos, danger, intermission muzak, and epic minimal trax

Moments of satire, traditional and tongue-in-cheek songs for the end of year.

Jamaica’s reggae and Brazil’s bossa music being ushered into the United States and the world through film,

Russian cinematic ambient fiction, space travel sound design and health education cues.

Crossed harmonies, liturgical references and baroque patterns.

This week on the Sound of Pictures, hosts DJ Scili & Sidekick Tom go

Dada and Futurist soundworks from your favorite Russian, German, French, Spanish, Greek and Italian goofballs.

This week on the Sound of Pictures Soundtrax show, DJ Scili and Sidekick Tom Skelly wonder WHERE DOES THE MUSIC GOES?

Global interaction, Introversion, a new stage musical, and some TV series.

Fear of rejection, success lead to success – failure leads to failure.

A panorama of songs.

Surreal montage from the Coen Bros’ HAIL CEASAR!, the inventive musical styles of Elliot Goldenthal, Scorcese’s GANGS OF NEW YORK, and some glo-fi adrenaline sauce.

Here comes The Wizard of Floyd and Pink Oz

Coming apart and unraveling through a twilight season of wind, light & shade, and a blurred vision.

Men and women film composers working today giving us the sounds of romantic noir avant-garde and tone-bending dark drama.

Words, phonetics and the voice, plus a Shelley Hirsch story.