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Third studio LP from this Canadian punk band. For my money (and it ain't much) one of the best punk bands to emerge in the last decade or so.

Dig that trumpet and saxamaphone on this cut. Opened for Skid Row in '92 in support of this album.

Prior to Christian Death, Rikk Agnew was guitarist for Adolescents, specifically on this album. Adolescents would then break up four months later.

80s Washington DC punk band and one of few bands from that era/region NOT signed to Dischord Records. Probably because they didn't take themselves as seriously as those peers. This cut was ranked by Rhino Records as one of the best punk singles of the 80s.

Short-lived Michigan punk band active from 1980-82. Fronted by Steve Miller. No, not that Steve Miller. The other Steve Miller. No, not that one either. The other one. You know the one.

The title and lyrics to this song are references to the circle of fans that were strongly devoted to frontman Darby Crash. Almost cult-like in their devotion.

1983 debut LP from this Boston hardcore punk band. Play around Boston occasionally (or did).

Best Motorhead line-up with best Damned line-up covering "Ballroom Blitz". Let's just have a cigarette and call it a night.

80s punk band from New York. No one took them seriously.

Late 70s arty punk from England and John Peel favorites. Short-lived but several members would go on to form the post-punk band The Nightingales, which we heard several weeks ago.

80s Texan punk band and popular within the state. Would form an independent label showcasing other punk acts and as a means to release their own recordings.

At one point, the Sex Pistols were signed to EMI. It was a short-lived contract that caused the band headaches. This is Johnny Rotten trashing the label.

Second single from this Northern Irish punk band released in 1978. Developed a rivalry with The Undertones, as SLF thought Undertones didn't take the Troubles seriously, if not ignoring it altogether.

Another Northern Irish punk band. Much more light-hearted than Stiff Little Fingers. Both are cool. WHY ARE MOMMY AND DADDY FIGHTING!?

Los Angeles punk band formed in the late 70s and active on-and-off throughout the 80s. Great tunes, weirdo stage presence (supposedly).

Opening cut from this 1989 classic. The lyrics refer to Un Chien Andalou, the 1929 surrealist art film by Salvador Dali and Buñuel.

Single that saw L7 achieve mainstream recognition. Outside of radio, you've no doubt heard this song in video games, tv shows, movies, and more.

Former WCW World Championship Wrestling writer and company covering The Byrds. Wyld!

Here's an 80s Washington DC punk that WAS signed to Dischord Records. There is a scorching Beatles cover of "I Am the Walrus" included in the initial release pressing, later excluded from re-releases because The Beatles don't want you to have fun.

"13 Songs" compiles the first two Fugazi EPs. Probably the band's best-selling release and most influential.

Dino Jr? Pixies? Husker Du? What is this, COLLEGE RADIO ROCK HOUR? No, because I dislike REM.

Self-proclaimed San Francisco's "first and only rock and roll band". Played shows in police uniforms. Heck, they performed inside San Quentin wearing police garb. And not just on stage. In the exercise yard!

Late 70s experimental punk from San Francisco. Overlooked, in my opinion, and well-worthy of your attention.

Dedicated to Karen Carpenter.

Only album from this early 90s Chicago noise-rock band. Member Mark Shippy would then form US Maple.

Fourth studio LP from the minimalist rock trio of Steve Albini, Todd Trainer, and Bob Weston. The greyhound on the cover and referenced in the title belongs to drummer Todd Trainer.

Debut studio LP from this Baltimore noise-punk band.

Band based out of Philly (can I call it that?) blending elements of noise, punk, folk, and psychedelia into its sound.

Remind you of Six Finger Satellite? It should, as several members of that band are part of this one.